Well, which piece of his would you choose?
I would be sorely tempted to pick the slow movt of his last string quartet Op 135 as it never ceases to warm the heart, seems to be shaped in the form of a prayer, is simplicity itself and, at the end, there is an unmistakable "drawing of the curtains"...
I would be sorely tempted to pick the slow movt of his last string quartet Op 135 as it never ceases to warm the heart, seems to be shaped in the form of a prayer, is simplicity itself and, at the end, there is an unmistakable "drawing of the curtains"...
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