Some scraps.
1. It's a strange coincidence but in two different cases a non-musical person has great significance in the history of music at this time. Both lived in Vienna and both had the same job title.
Firstly, Alexander Straton - Secretary to the British Legation in Vienna (credited with helping Joseph Haydn to tour in England and with getting the Edinburgh publisher George Thomson to commission Beethoven and others to publish Scottish, Irish and Welsh folk song arrangements - something Haydn was also commissioned to do). Straton was later a diplomat in Turkey and was in correspondence with Lord Nelson in 1804. Many of Straton's letters are in archives here in England. (He was also in regular correspondence with an English resident of Venice,Italy in the late 1780's).
2. Georg Niklaus Nissen - Secretary to the Danish Legation in Vienna. Just happens to be living in the same building as Constanze Mozart when he meets her. Becomes (eventually) her second husband and assistant for the 'Nissen' biography of Mozart. (Constanze in at least one case adds text to Mozart's letters during the making of the 'Nissen' biography claiming that it was written by Mozart himself. The text reads 'I was surprised by .....' That text definitely does not appear in the original. So, unless Nissen wrote those words posing as 'I' (Mozart) they had to have been written (in Denmark) by Constanze.
3. The German text of the letter received yesterday from Bonn (sent by the University Librarian) refers to the short-lived republic that lasted only a few months in Bonn PRIOR to the French taking over. In connection with the entry for Luchesi she writes -
Sehr geehrter Herr Newman,
in dem "Alphabetischen Verzeichnis der in der kurfürstlichen Residenz-Stadt Bonn wohnenden Freiheitsschwaermer ... DER VERUNGLUECKTEN CISRHENAN REPUBLIK' aus dem Jahr 1798 (Original im Stadtarchiv Bonn unter der Signatur: I e 4) findet sich auf S. 9 folgender Eintrag:
"Luchesi - ehem. kurfürstlicher Kappellen-meister, No 580"
Therefore, I think this indicates that in some way Luchesi's address is connected with an area of Bonn where those associated with the short-lived 'Cisrhenan Republic' were living. Whether this is signficant remains to be seen. That republic lasted less than 3 months. Was an area of Bonn specially reserved for Luchesi at the time when that entry was made ? Why would the entry specifically have refered to that short-lived republic in connection with his address ?
4. F. Reis was also one of the members of that discrete 'Illuminatist' organisation at Bonn chapel. And HE was Court Notary in 1784. It was Reis who had overall responsibility (not the organist and deputy Neefe) for attributing each item of music to a particular composer - something that clearly did not happen correctly.
5. Since Luchesi was quite happy to go along with writing works for others this explains why no fuss was made about attributions on his return to Bonn some weeks later. Luchesi therefore (bizzarely) contributed to his own anonymity.
RN
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