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    Exhilarating Beethoven - and others

    I was listening to Beethoven's Violin Concerto recently. It is of course a magnificent work, one of Beethoven's best, and, in my humble opinion, probably the greatest Violin Concerto ever written - Brahms being the main "rival".

    The final movement is truly exhilarating. There is a passage when the orchestra just seems to be seized with unconfined joy. It's the passage where Scott Goddard (in "The Concerto" ed. Ralph Hill") says the orchestra "adds its own special robust and gay ending" to the first theme (he was writing in 1949, when the word "gay" only had one sort of meaning).

    My knowledge of the "classical" repertoire (in the broad sense of the term) will be much less than many on this forum. Here is a list of pieces of music I find especially exhilarating. They are not necessarily particularly beautiful or moving - those sorts of passages are usually in slow movements, or slow parts of movements. But these exhilarating passages usually seem to cheer me up. They also can, I am slightly ashamed to say, sometimes get me out of my chair, and waving and pumping my arms, pretending I am conducting.
    Beethoven. Violin Concerto, 3rd. movement.
    Mozart. Symphony #35 "Haffner", 4th. movement.
    Mozart. Symphony #39 in Eb, 4th. movement.
    Mozart. Overture to "The Marriage of Figaro".
    Wagner. Overture to "Die Meistersinger von Nurnberg".

    Any suggestions of other pieces of music I, or someone else, could react to in a similar way?

    Regards to all,

    Frank

    #2
    Just in the Beethoven symphonies, I am exhilerated by:

    The first trumpet blare in the middle of the first movement of Symphony 7.

    The final movement(s) of Symphony 5.

    And of course, the big ending for Symphony 9.

    I love that stuff . . .

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      #3
      I have to agree with SJ, the ending of the final movement of the 5th symphony (indeed the entire movement) is just so breathtaking and exciting as is the finaly to the 9th symphony (I love that stuff too)! Also what 'get's me going' is the last movement of the Appassioniata, most moving and impressive and the Waldstein's last
      movement, great stuff! Mozart's symphony #35 'Haffner' is also a great choice. I just heard that on the radio the other day and it was truly wonderful! Lots of choices with such great classical music out there!

      ------------------
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        #4
        They also can, I am slightly ashamed to say, sometimes get me out of my chair, and waving and pumping my arms, pretending I am conducting.
        ]

        Dear Frank,
        thank you very much for admitting your conducting efforts-now I know I am not the only one :-) There can be a peaceful sunday morning resulting in a sturdy discussion between my dad, my brother and me how to conduct a piece on the current cd just because they've found me conducting..

        back to topic,
        I could point out hundreds of passages but I'll leave it to my favourite ones:

        -(very) end of movement 4 Symphony 9 (when oboe starts in) and of course, what I can I say, the 9th Symphony is just "yes yes YES"

        -Symphony 7 2nd movement

        -Symphony 5 2nd movement

        -Mozart: Klavierkonzert Nr. 21 KV467 "Elvira Madigan" allegro, where the orchestra starts in..

        -Mozart "Adagio in C für Glasharmonika" (whatever Glasharmonika is in english, sorry) KV356 (arranged for 4 clarinets)the very first measures. I could die playing that in our quartett, it's the silence, starting out of the blue, first clarinet high above the other three with its calm and touching theme.

        [This message has been edited by Anthina (edited 02-16-2006).]

        [This message has been edited by Anthina (edited 02-16-2006).]
        *~Ja, was haben's da scho wieder gmacht, Beethoven?~*

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          #5
          Originally posted by Frank H:


          Any suggestions of other pieces of music I, or someone else, could react to in a similar way?

          Regards to all,

          Frank
          Played the right way, most pieces by Beethoven would fit this category! Nevertheless, I direct you to the final chorus of Fidelio.


          ------------------
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          http://classicalmusicmayhem.freeforums.org

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            #6
            Agree to everything so far, will only add the finale to Saint-Saens Organ Symphony.

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              #7
              Beethoven has a knack of really kicking it into high gear with his concerti, particularly the final movements. The first is one of my particular favorites

              The choral fantasy is another that I find delightful, but not in the same way. It is a pure joy to listen to!

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                #8
                There are many examples, but how about the final pages of the Waldstein sonata to get you going first thing!

                ------------------
                'Man know thyself'
                'Man know thyself'

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                  #9
                  Originally posted by Anthina:

                  Dear Frank,
                  thank you very much for admitting your conducting efforts-now I know I am not the only one :-) There can be a peaceful sunday morning resulting in a sturdy discussion between my dad, my brother and me how to conduct a piece on the current cd just because they've found me conducting..

                  -Mozart "Adagio in C für Glasharmonika" (whatever Glasharmonika is in english, sorry) KV356 (arranged for 4 clarinets)the very first measures. I could die playing that in our quartett, it's the silence, starting out of the blue, first clarinet high above the other three with its calm and touching theme.
                  Dear Anthina,
                  I suspect that "closet conductors" are very common indeed - I'm sure there will be others on this forum.

                  I've seen both "Glass Harmonica" and "Glass Armonica" as English translations for the instrument you mention. It's an instrument which can give an ethereally beautiful sound, but unfortunately it can't produce much volume.

                  (Incidentally, I congratulate your parents on giving you a name which is both unusual and beautiful. I'm afraid most unusual names are either ugly, silly, or vulgar. Someone called their daughter "Fifi Trixiebelle" - they should be prosecuted for child cruelty. But Anthina sounds lovely - I presume it derives from the Greek "anthos" meaning "flower")

                  Best Wishes,

                  Frank

                  Comment


                    #10
                    Originally posted by Frank H:
                    .

                    I've seen both "Glass Harmonica" and "Glass Armonica" as English translations for the instrument you mention.

                    (Incidentally, I congratulate your parents on giving you a name which is both unusual and beautiful. But Anthina sounds lovely - I presume it derives from the Greek "anthos" meaning "flower")

                    Best Wishes,

                    Frank

                    Thanks for you nice words about my name! It's not my first name though (it's Simone).

                    So it's Glass Harmonica, thanks. Never knew what it actually sounds like but there was a Mozart show on tv a couple of weeks ago and they played it and it was surprisingly beautiful. Unimposing but oho.

                    *~Ja, was haben's da scho wieder gmacht, Beethoven?~*

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