Here is another topic in the psychology of the listener which I've been discussing on the 'Handel at the Holidays' thread. Many posters on this and other boards declare their preferences for a desert island. This one would be satisified with Beethoven, that one with another comnposer, etc., etc. Well, I must say there is NO composer I could be satisfied with on a desert idland, because after I've heard a work 30 or 40 times or so I am moe or less finished with it. I may listen to it enthusiastically again once or twice after a very long time, or find some moderate interest in a new interpretation, but the work holds essentially for me only a ghost of its original passion, like a bag of skin without the muscles and bones.
So that unless I had a very large library of new works I haven't heard, the desert island would mean madness for me. Also I could not exist only with music, no matter how much new great music there was. I would need other stimulation intellectual and emotional.
Is anyone else like this, or not? Or what?
[This message has been edited by Chaszz (edited 10-29-2005).]
So that unless I had a very large library of new works I haven't heard, the desert island would mean madness for me. Also I could not exist only with music, no matter how much new great music there was. I would need other stimulation intellectual and emotional.
Is anyone else like this, or not? Or what?
[This message has been edited by Chaszz (edited 10-29-2005).]
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