All 32!
Seriously, it's hard to say. The critics would obviously cite the last 3 sonatas which seem to inhabit a different world from the earlier ones (or do they really?)
Then there's the mighty Op 106 which is the MT EVEREST of the series but would I say it was my "favourite"?
The most popular sonatas tend to be the ones with names but as I'm a Beethoven nut I'm too snobbish to choose one of them!
Here I might add that ANY sonata being performed live by Alfred Brendel (Op 28 recently at the Edinburgh Festival) would be my favourite at that time.
OK I give in. I might plump for Op 10 no 3 which is not too popular but which whenever you hear it cannot fail to please the ear and mind. The four movts are each finely crafted with the opening one simply bursting with energy, the 2nd deeply affecting and weighty, the 3rd a charming light-hearted dance and the last a terrific tease.
But there's nothing to beat those last 3 sonatas performed together in one concert!!
Seriously, it's hard to say. The critics would obviously cite the last 3 sonatas which seem to inhabit a different world from the earlier ones (or do they really?)
Then there's the mighty Op 106 which is the MT EVEREST of the series but would I say it was my "favourite"?
The most popular sonatas tend to be the ones with names but as I'm a Beethoven nut I'm too snobbish to choose one of them!
Here I might add that ANY sonata being performed live by Alfred Brendel (Op 28 recently at the Edinburgh Festival) would be my favourite at that time.
OK I give in. I might plump for Op 10 no 3 which is not too popular but which whenever you hear it cannot fail to please the ear and mind. The four movts are each finely crafted with the opening one simply bursting with energy, the 2nd deeply affecting and weighty, the 3rd a charming light-hearted dance and the last a terrific tease.
But there's nothing to beat those last 3 sonatas performed together in one concert!!
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