Hello, everyone. Looking back through previous posts on this forum, it seems there are mixed views on the above film. I accept (heartily agree in fact) that Immortal Beloved was seriously flawed, but Amadeus is my favourite film!
I know a lot is conjecture at best, but much of what happens in the film is documented. Also, the film as a whole is based on an actual fact: Salieri DID actually claim at the end of his life to have killed Mozart. So the events unfold as Antonio himself - desperate and senile - would have remembered them.
The movie itself is a masterpiece, a festival of sound and colour. The opera sets are deliciously OTT and the ASMF performances - to these ears - are excellent. 1780s Vienna is really brought to life (although it was filmed in Prague!), and that's before we mention the acting.
F Murray Abraham's performance as Salieri is a revelation, never again has he scaled these heights. Ditto Tom Hulce as Wolfgang. But it's Jeffrey Jones as the Emperor who steals the show: "There are simply too many notes, just cut a few and it'll be perfect!"
I honestly think this film is glorious, one of the few to deserve its many Oscars. It was certainly partly responsible for my love of Mozart. What does everyone else think? Modern cinematic masterpiece, or seriously ill-conceived? Would it have been better just to film 'the life of Mozart', as we know it from the literature? Would it have been much different?
Thanks,
Daz
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Seizing fate by the throat...
[This message has been edited by untamed_personality (edited 09-22-2005).]
I know a lot is conjecture at best, but much of what happens in the film is documented. Also, the film as a whole is based on an actual fact: Salieri DID actually claim at the end of his life to have killed Mozart. So the events unfold as Antonio himself - desperate and senile - would have remembered them.
The movie itself is a masterpiece, a festival of sound and colour. The opera sets are deliciously OTT and the ASMF performances - to these ears - are excellent. 1780s Vienna is really brought to life (although it was filmed in Prague!), and that's before we mention the acting.
F Murray Abraham's performance as Salieri is a revelation, never again has he scaled these heights. Ditto Tom Hulce as Wolfgang. But it's Jeffrey Jones as the Emperor who steals the show: "There are simply too many notes, just cut a few and it'll be perfect!"
I honestly think this film is glorious, one of the few to deserve its many Oscars. It was certainly partly responsible for my love of Mozart. What does everyone else think? Modern cinematic masterpiece, or seriously ill-conceived? Would it have been better just to film 'the life of Mozart', as we know it from the literature? Would it have been much different?
Thanks,
Daz
------------------
Seizing fate by the throat...
[This message has been edited by untamed_personality (edited 09-22-2005).]
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