The Mozart symphonies nº 40 & 41 (KV 550 & KV 551) have been the only rewarding elements in an awful morning at courts (I'm a lawyer, you know, and clients sometimes lie to you until they face the judge....).
This evening I find comfort, peace and motivation in Gould's interpretation of Beethoven's Piano Sonatas no. 24 (op.78 "a therese") and no. 29 (op. 106 "hammerklavier"). Great playing for someone who wrote to a representative of his discographic: "Did my orchestral-overview, no-time-for-piano-conceits attitude really tie these four diverse structures together and make them one big work? Not really. There are some moments that work, I think, and some that don't -which, come to think of it, was more or less Beethoven's score too- but at least I've tried it once and won't have to bother my head about it again until 2027". It was recorded for the beethoven bicentennial anniversary on 1970.
This evening I find comfort, peace and motivation in Gould's interpretation of Beethoven's Piano Sonatas no. 24 (op.78 "a therese") and no. 29 (op. 106 "hammerklavier"). Great playing for someone who wrote to a representative of his discographic: "Did my orchestral-overview, no-time-for-piano-conceits attitude really tie these four diverse structures together and make them one big work? Not really. There are some moments that work, I think, and some that don't -which, come to think of it, was more or less Beethoven's score too- but at least I've tried it once and won't have to bother my head about it again until 2027". It was recorded for the beethoven bicentennial anniversary on 1970.
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