I change my mind on this subject all the time, but at the moment its the Ruins of Athens. So short yet so brillant. It seems Beethovens uniqueness shines in all his music. Sadly i now think i have listened to all of Beethovens major orchestral works. There is very little let for me to discover now i imagine.
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Beethovens greatest overture.
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Andrea
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I know what you mean about changing your mind on these. Sometimes you're in the mood for Leonore then you have a taste for Coriolan. For me, however, I have to go with Egmont and the Consecration of the House. Both marvelous!!
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'Truth and beauty joined''Truth and beauty joined'
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EGMONT makes the greatest impact on me, but I have enjoyed very good relationships of marvel with every overture of his, and remain to do so. I may say, the one made for the Pest festival play in 1811, King Stefan, speaks most my language.
One 'overture' I have not yet heard is the one introducing his sole oratorio, Christ on the Mount of Olives. (This is an overture, right?). Doesn't it deserve the rank of those other mainstream overtures such as the Prometheus, Coriolan (very nice) and Ruins of Athens?
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Of the three Leonore overtures, everybody seems to prefer Leonore No.3. Personally, I like Leonore No.1 the best. It's not as grand as No.3, but I much prefer the themes in No.1.
I wonder how many people like No.3 the best simply because they wrongly assume that it was the last one to be written, and therefore must be the best.
Melvyn.
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Originally posted by mrfixit:
I like the Leonore overture no 2 better than the 3rd one. Am i the only one here who thinks so?
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Love from LondonLove from London
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I have a cassette taped from the radiofrom when they had a very interesting program. They performed all four of the Overtures right in a row and also discussed each one. I love to listen to them all as it gives you a very good idea of how Beethoven evolved each one and how each changed through the years. They're all really good!
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'Truth and beauty joined''Truth and beauty joined'
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Consescecration of the House... sandwiched between op 123 (Missa Solemins) and op 125 (the 9th) it's an absolutely marvellous tribute to Handel's Royal Fireworks Music which definitely was the inspiritional source for the op 124.
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A Calm Sea and A Prosperous VoyageA Calm Sea and A Prosperous Voyage
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