Originally posted by Rutradelusasa:
What composers from today forget is to keep the music simple and focused on your feelings and the effectiveness of passing them to the listeners, not try to shock the listeners every time they get near your music, for that they can simply stick their fingers on the power outlet: simple and fun.
What composers from today forget is to keep the music simple and focused on your feelings and the effectiveness of passing them to the listeners, not try to shock the listeners every time they get near your music, for that they can simply stick their fingers on the power outlet: simple and fun.
I think one of the problems that face composers today is the very idea of emotion in music vs music for it's own sake. And, to boot, no one really wants to write something that has been written before. We seek to be individual and have our own peculiar styles--some go to great lengths to achieve this, others are very subtle. Then there is the role of the performer--do you control the performer or do you give the performer extensive liberty in interpretation? Stockhausen went from one extreme to the other in this case. But with the various styles/ideas/tools that are available in these days it is difficult to make a choice of direction--there are so many variables in regards to one's self, the performer, and the listener.
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