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Transcriptions of Bach from one medium to another often seem to work, don't they? That said, is Olafsson's ample use of the sustain pedal an attempt to recreate the "acoustic" of the organ in its usual performance space?Last edited by Quijote; 11-25-2022, 04:52 PM.
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I'm going through a Bruckner phase at the moment and the older I get the more I have come to appreciate how great he was - his music certainly does require repeated hearings as first impressions are not reliable and the sheer scale of the symphonies demand full concentration over a long time.
Here's the wonderful 3rd movt from the 8th. If I had to pick just 3 minutes to introduce someone to the music I'd recommend starting roughly 20'15 through 23'15
'Man know thyself'
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Originally posted by Quijote View Post
Transcriptions of Bach from one medium to another often seem to work, don't they? That said, is Olafsson's ample use of the sustain pedal an attempt to recreate the "acoustic" of the organ in its usual performance space?'Man know thyself'
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Beethoven Violin Concerto and Romances, solo violinist Charlie Siem. The album has (according to Spotify) come out this year, and I was very pleased to hear how fresh the sound was. Romance in F is superb with a little more upbeat tempo than usual.
However, yesterday I took the time to listen to Jordi Savall's take on the 9th symphony and was gravely disappointed! I love Savall's work but somehow the crown jewel, the finale of the 9th, just lacked right tempos (to my ear) and even some horn passages - seemed unbelievable but that's how it sounded to me. I'd love to hear what people here have thought of Savall's Beethoven interpretations!Fühle was dies' Herz empfindent, reiche frei mir deine Hand, und das Band das uns verbindet, sei kein schwaches Rosenband! (J.W.von Goethe)
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Originally posted by Peter View PostI'm going through a Bruckner phase at the moment and the older I get the more I have come to appreciate how great he was - his music certainly does require repeated hearings as first impressions are not reliable and the sheer scale of the symphonies demand full concentration over a long time.
Here's the wonderful 3rd movt from the 8th. If I had to pick just 3 minutes to introduce someone to the music I'd recommend starting roughly 20'15 through 23'15
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Originally posted by Sorrano View Post
Do you find a particular conductor more favorable to your tastes? I particularly like Haitink; his 8th is my preferred, perhaps, of all Bruckner works.
https://www.youtube.com/watch?v=ZrO9...l=ThikkKlassik'Man know thyself'
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Originally posted by Fredrika View PostBeethoven Violin Concerto and Romances, solo violinist Charlie Siem. The album has (according to Spotify) come out this year, and I was very pleased to hear how fresh the sound was. Romance in F is superb with a little more upbeat tempo than usual.
However, yesterday I took the time to listen to Jordi Savall's take on the 9th symphony and was gravely disappointed! I love Savall's work but somehow the crown jewel, the finale of the 9th, just lacked right tempos (to my ear) and even some horn passages - seemed unbelievable but that's how it sounded to me. I'd love to hear what people here have thought of Savall's Beethoven interpretations!'Man know thyself'
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Originally posted by Peter View Post
I haven't heard his 9th, but I have his recording of the Eroica which attempted to recreate the original Lobkowitz orchestra, using the same size orchestra - the results are interesting, but you have to recall that at the first public performance, Beethoven had larger forces available.Zevy
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Originally posted by Peter View Post
I haven't heard his 9th, but I have his recording of the Eroica which attempted to recreate the original Lobkowitz orchestra, using the same size orchestra - the results are interesting, but you have to recall that at the first public performance, Beethoven had larger forces available.
I was very touched by his idea to be as loyal to the original as possible, and for example the 8th revealed new depths to me. That's why I had quite high expectations for the 9th which, unfortunately, were not fulfilled. I'm so puzzled about the "missing" horns I think I will dive into the original score to seek the truth!Fühle was dies' Herz empfindent, reiche frei mir deine Hand, und das Band das uns verbindet, sei kein schwaches Rosenband! (J.W.von Goethe)
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[QUOTE=Peter]Originally posted by QuijoteListening to this wonderful performance of Bach's 6th 'cello suite played on a violoncello de spalla - a "shoulder" 'cello:
Remarkable and wonderful sound - I had no idea such an instrument existed and I see it has 5 strings which would make the 6th suite more playable.
And this (the Gavotte from the same suite):
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I posted ths before and it's a bit early - should be for the 4th Sunday of advent - but it's such a great piece!
Bereitet die Wege, bereitet die Bahn BWV 132
https://www.youtube.com/watch?v=bss-rU_zgWo
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