I have the Bernstein Missa from '61. It didn't quite hit with me. Though I admit this is the one major work of LvB's that continues to pose some problems for me.
I'm leaning towards Gardiner's 2012 version, which Lebrebt on his blog, Slipped Disc, described it as being so energetic as to be "Pagan." haha.
It certainly does sound ferocious, from what I've sampled: https://www.prestomusic.com/classica...d-major-op-123
It also comes with a 36-page booklet penned by Stephen Johnson which sounds mouth-watering.
My one big gripe though are the track listings. There are only FIVE. Good god! The track for Credo alone is almost 18 mins. They sure don't make it easy to navigate through the disc. Why do labels do that????
Also considering Suzuki's, not as "fiery" I suppose as Gardiner, but he seems to clarify certain details:
https://www.prestomusic.com/classica...d-major-op-123
David Hurwitz of ClassicsToday calls out Klemperer and Blomstedt as his faves.
Wondering what others thought about the above recordings and which are your faves?
Appreciate any input! THANK YOU.
I'm leaning towards Gardiner's 2012 version, which Lebrebt on his blog, Slipped Disc, described it as being so energetic as to be "Pagan." haha.
It certainly does sound ferocious, from what I've sampled: https://www.prestomusic.com/classica...d-major-op-123
It also comes with a 36-page booklet penned by Stephen Johnson which sounds mouth-watering.
My one big gripe though are the track listings. There are only FIVE. Good god! The track for Credo alone is almost 18 mins. They sure don't make it easy to navigate through the disc. Why do labels do that????
Also considering Suzuki's, not as "fiery" I suppose as Gardiner, but he seems to clarify certain details:
https://www.prestomusic.com/classica...d-major-op-123
David Hurwitz of ClassicsToday calls out Klemperer and Blomstedt as his faves.
Wondering what others thought about the above recordings and which are your faves?
Appreciate any input! THANK YOU.
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