Further to my ploughing through the Beethoven conversation books, I've come across a work that hitherto I was not at all familiar with: Piano Variations in F major, WoO 75.
The theme that Beethoven uses is from an opera by Peter von Winter (1754-1825), composer and Court Kappellmeister in Munich. The opera is called Das unterbrochene Opferfest and was first performed in the Karntnertor Theatre in Vienna in 1796.
@Peter: I was wanting to watch Parsifal this weekend (I have a DVD recording) but ended up without the time to do it. (Of course you need plenty of time available to watch a Wagner Opera.) The local radio has played the prelude and Good Friday Spell over the past week.
This rarely heard gem by Respighi - beautiful particularly from 8'36
Don't know why but the Respighi piece reminded me of the Intermezzo from Pietro Mascagni'sCavalleria rusticana. Actually, I do know why: Maisky's 2.75cm vibrato on nearly every note. Here's the Intermezzo:
[QUOTE=Quijote;n118139]Well here's a rarity, for me at least: Haydn Piano Concerto in D (with Emanuel Ax and the Lucerne Festival Contemporary Orchestra).
It's a delight this piece as are Haydn's 'cello concertos. I'm also listening to a rarity- Delius Piano concerto.
Well here's a rarity, for me at least: Haydn Piano Concerto in D (with Emanuel Ax and the Lucerne Festival Contemporary Orchestra).
A wonderful piece, even better than I remembered from a few years ago when last I listened to it. Despite how much I love Haydn, I am often surprised by the quality of his work when I come back to it after some time. I know the symphonies and string quartets and oratorios will be great, but I often fall into the trap of thinking Haydn's concertos and piano works are kind of 'second tier" compared to his other works, but then I listen again and they never are. This is a really good recording of the piece too.
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