Originally posted by Schenkerian
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2021 Chopin Competition, Warsaw
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I particularly like the combo of Trifonov and Babayan as seen here in this performance of Rachmaninov:
https://www.youtube.com/watch?v=xSIdYk6yi30
Sergei Babayan is a former teacher of Daniil Trifonov.
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Originally posted by Schenkerian View PostI particularly like the combo of Trifonov and Babayan as seen here in this performance of Rachmaninov:
https://www.youtube.com/watch?v=xSIdYk6yi30
Sergei Babayan is a former teacher of Daniil Trifonov.'Man know thyself'
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Originally posted by Peter View PostYes I think many musicians have mixed feelings about these events, though of course they do reveal great talents. Garrick Ohlsson talks about his own experiences and postulates that Chopin would have hated it!
https://www.youtube.com/watch?v=PTYz...=tonebasePiano
I think we should revert to "improvisation challenges" as happened in Vienna whilst Beethoven was there.
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Originally posted by Quijote View Post
I don't watch these events. As another poster said, it's all kind of a "blood sport", a sort of "olympics". No doubt such competitions provide a platform for emerging talents, but really if such or such a pianist ends up in 2nd or 3rd position who really cares, they are all extremely talented.
I think we should revert to "improvisation challenges" as happened in Vienna whilst Beethoven was there.'Man know thyself'
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Originally posted by Peter View Post
Yes beautiful playing of a piece I'm not familiar with. Thanks for that.
The final movement here is just something else on another level!!
https://www.youtube.com/watch?v=61bujkT_uaULast edited by Schenkerian; 10-13-2021, 10:28 PM.
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I've never understood the final movement of Chopin's Sonata No. 2: the very brief nature of it and the structural incompatibility with the rest of the sonata.
https://www.youtube.com/watch?v=JJEQqcw-830
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Originally posted by Schenkerian View Post
Actually, I'm very partial to the musicianship of Sergei Babayan. Here's a performance of him with Trifonov in New York playing the complete Rachmaninov Suite for 2 Pianos, Op. 17 which is, IMO, sadly affected by the very dry acoustic: it opens in a percussive way I'm convinced the composer wouldn't have wanted. Also, the second movement just runs too fast for my taste. But the virtuosity on display here is phenomenal. Great music too. And when I think of my own woeful sight-reading....!! And who needs a page-turner like Trifonov has here; he should have bashed the score flat at the spine before the start! Sergei's turner has the right method.
The final movement here is just something else on another level!!
https://www.youtube.com/watch?v=61bujkT_uaU'Man know thyself'
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Originally posted by Peter View PostSight reading is playing it for the first time never having seen the score before, unthinkable that they haven't practiced this together - I simply think they are not playing from memory and relying on the score.
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Originally posted by Schenkerian View Post
I've always thought sight-reading refers to the first you mention and also to the second. But apparently not. What about Liszt who was said to be able to perform from sight-reading on first contact with a new piece?'Man know thyself'
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Originally posted by Peter View Post
Yes well Liszt was Liszt and his sight reading from manuscript of the Grieg piano concerto whilst giving a running commentary is legendary. I think the issue here is as there are 2 pianists they must have rehearsed this together prior to performance. I simply think neither were playing from memory which is why the score was necessary.
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Originally posted by Peter View PostSight reading is playing it for the first time never having seen the score before, unthinkable that they haven't practiced this together - I simply think they are not playing from memory and relying on the score.
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