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Beethoven"s life

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    Beethoven"s life

    Ludwig van Beethoven (1770-1827), the second-oldest child of the court musician and tenor singer Johann van Beethoven, was born in Bonn. Ludwig's father drilled him thoroughly with the ambition of showcasing him as a child prodigy. Ludwig gave his first public performance as a pianist when he was eight years old. At the age of eleven he received the necessary systematic training in piano performance and composition from Christian Gottlob Neefe, organist and court musician in Bonn. Employed as a musician in Bonn court orchestra since 1787, Beethoven was granted a paid leave of absence in the early part of 1787 to study in Vienna under Mozart. he was soon compelled to return to Bonn, however, and after his mother's death had to look after the family.

    In 1792 he chose Vienna as his new residence and took lessons from Haydn, Albrechtsberger, Schenck and Salieri. By 1795 he had earned a name for himself as a pianist of great fantasy and verve, admired in particular for his brilliant improvisations. Before long he was traveling in the circles of the nobility. They offered Beethoven their patronage, and the composer dedicated his works to them in return. By 1809 his patrons provided him with an annuity which enabled him to live as a freelance composer without financial worries. Beethoven was acutely interested in the development of the piano. He kept close contact with the leading piano building firms in Vienna and London and thus helped pave the way for the modern concert grand piano.

    Around the year 1798 Beethoven noticed that he was suffering from a hearing disorder. He withdrew into increasing seclusion for the public and from his few friends and was eventually left completely deaf. By 1820 he was able to communicate with visitors and trusted friends only in writing, availing himself of "conversation notebooks".

    The final years in the life of the restless bachelor (he changed living quarters no fewer than fifty-two times) were darkened by severe illness and by the struggle over the guardianship of his nephew Karl, upon whom he poured his solicitude, jealousy, expectations and threats in an effort to shape the boy according to his wishes. When the most famous composer of the age died, about thirty thousand mourners and curious onlookers were present at the funeral procession on March 26, 1827.

    #2
    I heard a story that Beethoven's father was afflicted with a social disease and all the children were born with some congenital abnormality (blindnesss, etc). This explains why Beethoven was deaf later in life. Has anyone heard this story & can you recommend a book or books? The story I heard is actually more intriguing in it's entirety (a question posed by a philosophy professor) but I have no way of knowing if it's true. Thanks and happy listening!
    Originally posted by the_pianist:
    Ludwig van Beethoven (1770-1827), the second-oldest child of the court musician and tenor singer Johann van Beethoven, was born in Bonn. Ludwig's father drilled him thoroughly with the ambition of showcasing him as a child prodigy. Ludwig gave his first public performance as a pianist when he was eight years old. At the age of eleven he received the necessary systematic training in piano performance and composition from Christian Gottlob Neefe, organist and court musician in Bonn. Employed as a musician in Bonn court orchestra since 1787, Beethoven was granted a paid leave of absence in the early part of 1787 to study in Vienna under Mozart. he was soon compelled to return to Bonn, however, and after his mother's death had to look after the family.

    In 1792 he chose Vienna as his new residence and took lessons from Haydn, Albrechtsberger, Schenck and Salieri. By 1795 he had earned a name for himself as a pianist of great fantasy and verve, admired in particular for his brilliant improvisations. Before long he was traveling in the circles of the nobility. They offered Beethoven their patronage, and the composer dedicated his works to them in return. By 1809 his patrons provided him with an annuity which enabled him to live as a freelance composer without financial worries. Beethoven was acutely interested in the development of the piano. He kept close contact with the leading piano building firms in Vienna and London and thus helped pave the way for the modern concert grand piano.

    Around the year 1798 Beethoven noticed that he was suffering from a hearing disorder. He withdrew into increasing seclusion for the public and from his few friends and was eventually left completely deaf. By 1820 he was able to communicate with visitors and trusted friends only in writing, availing himself of "conversation notebooks".

    The final years in the life of the restless bachelor (he changed living quarters no fewer than fifty-two times) were darkened by severe illness and by the struggle over the guardianship of his nephew Karl, upon whom he poured his solicitude, jealousy, expectations and threats in an effort to shape the boy according to his wishes. When the most famous composer of the age died, about thirty thousand mourners and curious onlookers were present at the funeral procession on March 26, 1827.

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      #3
      Originally posted by musiklvr56:
      I heard a story that Beethoven's father was afflicted with a social disease and all the children were born with some congenital abnormality (blindnesss, etc). This explains why Beethoven was deaf later in life. Has anyone heard this story & can you recommend a book or books? The story I heard is actually more intriguing in it's entirety (a question posed by a philosophy professor) but I have no way of knowing if it's true. Thanks and happy listening!
      None of the children that survived were born with congenital abnormalities and neither of Beethoven's 2 brothers were deaf or blind! Beethoven's deafness is thought to be due to a condition known as Otosclerosis - the abnormal growth of bone of the inner ear. This bone prevents structures within the ear from working properly and causes hearing loss.
      Otosclerosis is a disease, which results in new bone formation either in the area of the stapes bone or in the cochlea housing the hearing nerve; or it can be a combination of both. When the bony deposits infiltrate the stapes bone, this bone is unable to vibrate and pass the sound into the inner ear. This results in what is called a conductive hearing loss, i.e., the sound is not being properly "conducted" into the inner ear. As a general rule, the thicker the bony deposit the greater the hearing loss, and the longer the hearing loss, the greater is the amount of deposits. The fixation of the stapes usually follows a slow and relentless course with progressively worsening hearing.


      ------------------
      'Man know thyself'
      'Man know thyself'

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        #4
        Quite right. That's exactly what it is. My sister in law has the exact same thing and was going deaf but she had surgery and is now hearing much better although there is a humming in her ear but that should go away in the near future. In Beethoven's day they couldn't even imagine operating on such delicate things as that but in this day and age there is hope. If Beethoven were alive today I'm sure his hearing problems could be improved if not totally cured and wouldn't that be something?!!

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        'Truth and beauty joined'
        'Truth and beauty joined'

        Comment


          #5
          Originally posted by Joy:
          Quite right. That's exactly what it is. My sister in law has the exact same thing and was going deaf but she had surgery and is now hearing much better although there is a humming in her ear but that should go away in the near future. In Beethoven's day they couldn't even imagine operating on such delicate things as that but in this day and age there is hope. If Beethoven were alive today I'm sure his hearing problems could be improved if not totally cured and wouldn't that be something?!!

          Today he would have a much easier life in private area, but he composed some of his greatest things even without hearing anything. Maybe without deafness he'd had not that totaly concentrating for composing.

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