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    Beethoven and Poetry



    I would be very interested on thoughts on the subject of poetry that has been written
    about Beethoven and other composers.
    Beethovenhaus, Bonn, I believe have a collection of poems written about Beethoven in German, but I don't think they are available for sale, though they do have books online for sale.

    ********


    I would like to start off with this interesting poem that gives us sensitive and sympathetic account of the impact of Beethoven's music, which I have had translated from Danish.

    Written by the Danish Poet, THORKILD BJORNVIG.


    *** DIVERTIMENTO OM BEETHOVEN ***


    Beloved Master, please do not stop!
    you don't want to either, continue, continue.
    The violinists are working,
    those meticulous machinists
    in your vast workshop,
    no, piston arms and elbows
    in Titanic diesel engine,
    you turn into ecstatic superhuman-
    they believe in you, in themselves,
    notice you, play like mad.
    The horn players blow,
    ruthlessly you tread on their lungs
    like bellows, out tumbles the sound
    in somersaults, an impossible rise,
    you insert the zenith, the pole star,
    the sundial, culminations in spots -
    you give them all the breath they need.
    And the man at the kettledrums and big
    drums which otherwise stand idle
    with a single bang like releif work,
    his hanging arms
    you transform into spokes in a furious wheel.
    One flash of lightning from you races
    up through the conductor's thoracic vertebrae, raises his arms,
    like flapping condor wings,
    and a little later his lowered fingers drip
    with honey and soothing bird song.
    Wonderful, now the Master takes me apart
    with a splitting thunderbolt, a crash,
    or slowly and skilfully you place
    all my parts in a bath of thin oil
    and collect me later, cleaned,
    inspected and balsamically renewed.
    Now I can take more. First the pining and dance-
    You then place peculiar nuts on my anvil and
    swing your sledge hammer with force
    that put the devil in them -
    out fly dazzling cherubs
    with wild, blessed heavenly cries,
    the ceiling cracks
    and the stars shine down on the forge of the concert hall.
    And the Solitudes -
    solitude heaped on solitude,
    melting, complaining, completely engrossed in self, and so the turning point,
    the fusion, the furious togetherness,
    joyous triumph, dance, choir vibrating
    strains of cartilage and brass
    changing of sound, mixing of lime, blood, metal.
    super choir, up trees, intertwined, with upturned mouths,
    smoking of golden dross, all-loving -
    And so, finally, beyond solitude and togetherness,
    remaining in a closet in a house where no one lives, suddenly into the air,
    suddenly away, and now only:
    devotion free from fever, chilly morning skies, serenity.
    But at last the finales -
    sorry as usual that you stopped,
    it was all too wonderful,
    want neither to eat or sleep,
    no a new finale -
    and now: yet another,
    the text long at an end,
    now only dynamic, lengthy full stops,
    emotional dashes, dashes of joy, the fury of departure,
    Dionysian orgasms of the Holy Spirit,
    the finale itself.
    Conception of new works.
    And finally, finally, after the sonatas,
    fingers of the pianist on a walk through forests, over tree roots, along moonlit coasts devoid of humans
    with sobbing loss of memory, the heart breaks to remember what never happened -
    or what happened when the finger meditates on the key -
    finally the quartets, the last one,
    particularly the longest. In you
    alone and ageing, long deaf
    rose the inner, wholly inner music
    slowly compelling, heavenly persistent,
    now you have finally decided never to stop,
    Beloved Master.
    It is also true, it was also successfull,
    most certainly, the score ceases,
    the tragedy is over,
    but you continue
    calm as a cherub,
    trusting as a child,
    not distracted by outer ears
    in the throb of the pulse,
    the pulse of sleep and embrace,
    of mercy and oblivion -
    the creator's motive
    for the beat of our heart
    remembered by you.



    #2

    A beautiful poem about Beethoven by,
    - GABRIEL SEIDL -
    which I believe was read out at Beethoven's funeral 29th March 1827.


    You heard him yourselves; the sound of the message he addressed to you has only just faded away.
    You heard him yourselves! With a thousand notes he summoned up for you the angels of emotion.
    You heard him yourselves! heard him, saw him,
    for whoever heard him can also picture in his soul the noble master's image.
    No painter portrays him as he portrays himself.

    At his palette, he paints in sounds; for the canvass on which he paints the human soul.
    On it he imprints with his brush the songs
    of his whole being, his image, in pleasure
    and in pain.
    Listen to the mighty floods of his solemn power and you will catch a vision of the man himself,
    so charged with power and high purpose.
    Listen to his song, feel it, he would shame
    the sweet passion of a youthful soul.
    Listen to the mighty roar of his battle
    thunder and you will catch a vision of his
    spirit, ready for the fray.
    Listen to the psalms of his choruses
    of supplication and you will see a heart
    that orbits Gods throne.
    Now he seizes sounds as the innocent soul seizes butterflies and them releases them:
    he wrestles with himself in ever-fluctuating and dissolves in tender longing
    at the end.

    Now he plunges into life's cosmic ocean and
    reflects its struggle and its calm.
    Now he mocks himself, then us, then himself
    again, and skips in play to catch weighty
    eternal truths.
    Dear to the barren tumult of the outer world, he opens up his ear to the life
    within.
    Reeling, we see him elevated far above our sphere; his feeblest path is for us a new flight.

    He dominates and reconciles what is strange
    and incompatible.
    He feels through his mind; he thinks through his heart.
    He teaches us new jubilation, new laments,
    new prayer and new jests.
    We have to commemorate his death,
    our sacred tears, alas, are all that is left to us.
    We have seen him...the veil of the tomb is
    ripped asunder... and the funeral rite becomes a feast of life!

    He lives! He who claims he is dead lies!
    Like the sun, which comes and enchants and illuminates, and its day's work done,
    leaves us, thus did he come;
    and thus he has returned home.

    He lives! For his life and his music; no God will ever uproot that from the worlds breast.
    It will be passed on to our grandchildren and great-grandchildren, who will surely be more deeply inspired by it than even their ancestors.

    He lives! You saw him, heard him, and now hear him once more.
    My dull wreath will fade; the one celebration worthy to honour him,
    he has created himself through his own song!

    *******************************************

    Read at the funeral of Beethoven the Master, in the Wahringer Friedhoff.
    Vienna 29th March, 1827



    [This message has been edited by lysander (edited June 15, 2003).]

    Comment


      #3
      Thanks for that translation Lysander, I remember this poem was mentioned before.

      Charles Halle observed that literary people often tended not to care greatly for music and in Charles Lamb he was certainly correct:

      "The devil, with his foot so cloven,
      For aught I care may take Beethoven;
      And, if the bargain does not suit,
      I'll throw him Weber in to boot."

      Lamb should have taken note of John Dowland! :

      "Who loves not music and the heavenly muse, That man God hates."

      ------------------
      'Man know thyself'
      'Man know thyself'

      Comment


        #4



        War poet - SIEGFRIED SASSOON
        Survivor of the 1st World War.



        **** DEAD MUSICIANS ****


        1.
        From you, Beethoven, Bach, Mozart,
        the substance of my dreams took fire,
        You built a Cathedral in my heart,
        and lit my pinnacled desire.
        You were the ardour and the bright
        procession of my thoughts towards prayer.
        You were the wrath of the storm.
        The light on Citadels aflare.

        2.
        Great names, I cannot find you now,
        in these loud years of youth that strives
        through doom towards peace; upon my brow
        I wear a wreath of banished lives.
        You have no part with lads who fought
        and laughed and suffered at my side.
        Your fugues and symphonies have brought
        no memory of my friends who died.


        3.
        For when my brain is on their track,
        In slangy speech, I call them back.
        With fox-trot tunes there ghosts I charm.

        'Another little drink won't do us any harm'
        I think of a rag-time; a bit of rag-time;
        and see their faces crowding round,
        to the sound of the syncopated beat.
        They've got such jolly things to tell,
        Home from hell with a blighty wound so neat...

        And so the song breaks off, and I'm alone.
        They're dead ...... for Gods sake
        stop that gramophone.

        3.


        Comment


          #5
          "Music, the fiercest grief can charm,
          And fate's severest rage disarm:
          Music can soften pain to ease.
          And make despair and madness please
          Our joys below it can improve,
          And antedate the bliss above."

          Alexander Pope

          ------------------
          'Man know thyself'
          'Man know thyself'

          Comment


            #6
            "Music hath charm to sooth the savage breast
            To bend trees, and melt rocks."

            "Music that will tame wild beasts,
            Lift men's hearts to Heaven,
            And cause the lark to sing at night."

            ------------------
            'Truth and beauty joined'
            'Truth and beauty joined'

            Comment


              #7



              ~ If music be the food of love, play on,

              Give me excess of it that, surfeiting,

              The appetite may sicken and so die.

              That strain again, it had a dying fall,

              Oh, it came o'er my ear like the sweet
              sound

              that breathes upon a bank of violets,

              stealing and giving odour. ~



              ~William Shakespeare~

              Comment


                #8



                On Hearing a Symphony of Beethoven.

                Sweet sounds, Oh, beautiful music do not cease!
                Reject me not into the world again.
                With you alone is excellence and peace,
                Mankind made plausable, his purpose plain,
                Enchanted in your air benign and shrewd,
                With a sprawl and empty faces pale,
                the spiteful, the stingy and the rude,
                Sleep like the scullions in the fairy-tale.


                This moment is the best the world can give,
                The tranquil blossom on the tortured stem.
                Reject me not, sweet sounds: Oh, let me live,
                Till doom espy my towers and scatter them,
                A city spellbound under the agein sun,
                Music my rampart, and my only one.


                ~ Edna St. Vincent Millay, 1892-1950 ~

                Comment


                  #9
                  Art thou troubled? Music will calm thee.
                  Art thou weary?Rest shall be thine.
                  Music ,source of all gladness.Heals thy sadness,
                  At her shrine ,music ever divine.
                  Music calleth with voice divine.

                  When the welcome spring is smiling,
                  All the earth with flowers beguiling,
                  after winters dreary reign,
                  Sweetest music,doth attend her,
                  Heavenly harmonies doth lend her,
                  Chanting praises in her train.


                  Words by W.G.Rothery
                  Set to G.F.Handel's Dove Sei from Rodelinda

                  "Finis coronat opus "

                  Comment


                    #10
                    Not Beethoven I admit but relevant as it refers to music. I conveniently managed to find the text on the web.

                    Handel - An Ode for St Cecilia's Day
                    Words by Newburgh Hamilton


                    1. Overture

                    2. Recitative
                    Tenor
                    From harmony, from heav'nly harmony,
                    This universal frame began.

                    3. Accompagnato
                    Tenor
                    When nature underneath a heap
                    Of jarring atoms lay,
                    And could not heave her head,
                    The tuneful voice was heard from high:
                    "Arise! Ye more than dead."
                    Then cold, and hot, and moist and dry,
                    In order to their stations leap,
                    And music's pow'r obey.

                    4. Chorus
                    From harmony, from heav'nly harmony,
                    This universal frame began,
                    From harmony to harmony,
                    Through all the compass of the notes it ran,
                    The diapason closing full in man.

                    5. Air

                    Soprano
                    What passion cannot music raise and quell!
                    When Jubal struck the chorded shell,
                    His list'ning brethren stood around,
                    And wond'ring, on their faces fell,
                    To worship that celestial sound.
                    Less than a god they thought there could not dwell
                    Within the hollow of that shell,
                    That spoke so sweetly and so well.
                    What passion cannot music raise and quell!

                    6. Air (tenor) and Chorus
                    The trumpet's loud clangor
                    Excites us to arms,
                    With shrill notes of anger,
                    And mortal alarms.
                    The double, double, double beat
                    Of the thund'ring drum
                    Cries: "Hark! the foes come;
                    Charge, charge! 'Tis too late to retreat."

                    7. March

                    8. Air

                    Soprano
                    The soft complaining flute
                    In dying notes discovers
                    The woes of hopeless lovers,
                    Whose dirge is whisper'd by the warbling lute.

                    9. Air

                    Tenor
                    Sharp violins proclaim
                    Their jealous pangs, and desperation,
                    Fury, frantic indignation,
                    Depths of pain, and height of passion,
                    For the fair disdainful dame.

                    10. Air

                    Soprano
                    But oh, what art can teach,
                    What human voice can reach
                    The sacred organ's praise?
                    Notes inspiring holy love,
                    Notes that wing their heav'nly ways
                    To join the choirs above.

                    11. Air

                    Soprano
                    Orpheus could lead the savage race,
                    And trees, unrooted, left their place,
                    Sequacious of the lyre.

                    12. Accompagnato

                    Soprano
                    But bright Cecilia raised the wonder high'r:
                    When to her organ, vocal breath was giv'n,
                    An angel heard, and straight appear'd,
                    Mistaking earth for Heav'n.

                    13. Solo (soprano) and Chorus
                    As from the pow'r of sacred lays
                    The spheres began to move,
                    And sung the great Creator's praise
                    To all the bless'd above;
                    So when the last and dreadful hour
                    This crumbling pageant shall devour,
                    The trumpet shall be heard on high,
                    The dead shall live, the living die,
                    And music shall untune the sky.

                    ------------------
                    "If I were but of noble birth..." - Rod Corkin


                    [This message has been edited by Rod (edited June 17, 2003).]
                    http://classicalmusicmayhem.freeforums.org

                    Comment


                      #11
                      "Be aroused by poetry; structure yourself with propriety, refine yourself with music."

                      Confucius

                      ------------------
                      'Man know thyself'
                      'Man know thyself'

                      Comment


                        #12
                        "It is difficult to find a good poem. Grillparzer has promised to write one for me,--indeed, he has already written one; but we can not understand each other. I want something entirely different than he."

                        (Beethoven 1825 to Ludwig Rellstab)

                        ------------------
                        'Man know thyself'
                        'Man know thyself'

                        Comment


                          #13


                          * * * TO BEETHOVEN * * *

                          In o'er strict calyx lingering,
                          Lay music's bud too long,
                          Unblown too long unblown.
                          Till thou Beethoven, breathed the spring;
                          Then bloomed the perfect rose of tone.


                          O Psalmist of the weak, the strong,
                          O Troubadour of love and strife,
                          Co-Latinist of right and wrong,
                          Sole Hymner of the whole of Life.


                          I know not how, care not why,...
                          Thy music sets my world at ease,
                          And melts my passion's mortal cry
                          In satisfying symphonies.


                          It soothes my accusations sour,
                          'Gainst thoughts that fray the restless soul,
                          The stain of death; the pain of power;
                          The lack of love, 'twixt part and whole';

                          The nay-yea of Freewill and Fate,
                          Whereof both cannot be, yet are,
                          The praise a poet wins too late,
                          Who starves from earth into a star.


                          The lies that serve great parties well,
                          While truths but give their Christ a cross
                          The love that send warm souls to hell,
                          While cold-blood neuters take no loss.


                          The indifferent smile that nature's grace,
                          On Jesus, Judas, pours alike,
                          The indifferent frown on nature's face,
                          When luminous lightings strangely strike.


                          The sailor praying on his knees,
                          And spare his mate that's cursing God,
                          How babes and widows starve and freeze,
                          Yet nature will not stir a clod.


                          Why nature blinds us in each act,
                          Yet makes no law in mercy bend,
                          No pitfall from our feet retract,
                          No storm cry out, 'Take shelter friend',


                          Why snakes that crawl the earth should ply,
                          Rattles that whoso hears may shun,
                          While serpent lightings in the sky,
                          But rattle when the deed is done.


                          How truth can e'er be good for them,
                          That have not eyes to bear its strength,
                          And yet how stern our lights condemn,
                          Delays that lend the darkness length.


                          To know all things, save knowingness,
                          To grasp, yet loosen, feelings rein,
                          To waste no manhood on success;
                          To look with pleasure upon pain.


                          Though teased by small mixt social claims,
                          To lose no large simplicity,
                          And midst of clear-seen crimes, and shames
                          To move with manly purity.


                          To hold, with keen, yet loving eyes,
                          Art's realm from cleverness apart,
                          To know the clever good and wise,
                          Yet haunt the lonesome heights of Art.


                          O Psalmist of the weak, the strong,
                          O Troubadour of love and strife,
                          Co-Latinist of right and wrong,
                          Sole Hymner of the whole of life.


                          I know no how, I care not why,
                          Thy music brings this broil at ease,
                          And melts my passion's mortal cry,
                          In satisfying symphonies.


                          Yea, it forgives me all my sins,
                          Fits life to love like rhyme to rhyme,
                          And tunes the task each day begins,
                          By the last trumpet-note of time.


                          ~ Sydney Lanier ~



                          [This message has been edited by lysander (edited June 18, 2003).]

                          Comment


                            #14
                            "I know the text is extremely bad, but after one has conceived an entity out of even a bad text, it is difficult to make changes in details without disturbing the unity. If it is a single word, on which occasionally great weight is laid, it must be permitted to stand. He is a bad author who can not, or will not try to make
                            something as good as possible; if this is not the case petty changes will certainly not improve the whole."

                            (Teplitz, August 23, 1811, to Hartel, the publisher, who wanted some changes made in the book of "The Mount of Olives.")


                            ------------------
                            'Man know thyself'
                            'Man know thyself'

                            Comment


                              #15
                              "Music, the most romantic of all arts.
                              Music...is romantic poetry for the ear...No colour is as romantic as a sound, since one is present at the dying away only of a sound but not of a colour; and because a sound never sounds alone, but always three-fold, blending, as it were, the romantic quality of the future and the past into the present."
                              E.T.A. Hoffmann 1852

                              ------------------
                              'Truth and beauty joined'
                              'Truth and beauty joined'

                              Comment

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