Originally posted by Amalie:
Well Peter, I think the point here goes back to the postings that I made some months ago about the Romantic movement.
Whether or not Beethoven was a Romantic, we can argue either way I suppose, but surely what is indisputable is that Beethoven's works for all their great intellectual brilliance are marked surely by an overwhelming and in music terms quite novel, volcanic force of emotion and exhaulted feeling. The enlightenment thinkers were suspicious of feeling, were they not? what T.S.Eliot called, 'undisciplined squads of emotion' and preferred dispassionate and rather cold reasoning to hot passion, and I don't think on this analysis we can call Beethoven and enlightenment advocate, sure Fidelio is about freedom but it is all pretty undefined isn't it. Man gets out of prison, everything is ok. The enlightenment thinkers were passionate about political programmes and I think Beethoven was smart enough to realize that, a. this was not his forte,
b. it could be treacherous ground for a composer, I mean look at Wagner, started off as virtually an anarchist manning the baracades, wrote manifestos almost like Marx, and then became a Plutocrat, and fell in love with money and power, Beethoven was clever enough but perhaps also niave enough to keep his political yearnings, which even today we don't really know a true definition of to the vaguest of aspirations for human brotherhood, freedom etc.
An interesting question is what composer would be regarded as an enlightenment type of musician. Haydn? perhaps because there is always at least in the music of his that I have heard is subordination of the emotion to the rational working out of musical harmony, scale, tone, structure etc, the creation is fantastic!
Well Peter, I think the point here goes back to the postings that I made some months ago about the Romantic movement.
Whether or not Beethoven was a Romantic, we can argue either way I suppose, but surely what is indisputable is that Beethoven's works for all their great intellectual brilliance are marked surely by an overwhelming and in music terms quite novel, volcanic force of emotion and exhaulted feeling. The enlightenment thinkers were suspicious of feeling, were they not? what T.S.Eliot called, 'undisciplined squads of emotion' and preferred dispassionate and rather cold reasoning to hot passion, and I don't think on this analysis we can call Beethoven and enlightenment advocate, sure Fidelio is about freedom but it is all pretty undefined isn't it. Man gets out of prison, everything is ok. The enlightenment thinkers were passionate about political programmes and I think Beethoven was smart enough to realize that, a. this was not his forte,
b. it could be treacherous ground for a composer, I mean look at Wagner, started off as virtually an anarchist manning the baracades, wrote manifestos almost like Marx, and then became a Plutocrat, and fell in love with money and power, Beethoven was clever enough but perhaps also niave enough to keep his political yearnings, which even today we don't really know a true definition of to the vaguest of aspirations for human brotherhood, freedom etc.
An interesting question is what composer would be regarded as an enlightenment type of musician. Haydn? perhaps because there is always at least in the music of his that I have heard is subordination of the emotion to the rational working out of musical harmony, scale, tone, structure etc, the creation is fantastic!
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'Man know thyself'
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